Sascha A. Akhtar
∑Void Song∩ ≠ Futurepast Sequence Of,...
‘A scribbled utterance of human existence’, Sascha A. Akhtar’s anarchic manuscript engages with analogue processes of disruption as a resistance to AI and the systems of control.
(A5, 16 pages, soft cover, staple-bound)
∑Void Song∩ ≠ Futurepast Sequence Of,...
‘A scribbled utterance of human existence’, Sascha A. Akhtar’s anarchic manuscript engages with analogue processes of disruption as a resistance to AI and the systems of control.
(A5, 16 pages, soft cover, staple-bound)
Julia Calver
’PHONE CALL S
Family members appear from dreams and enter in to conversations and memories. Sliding phonemes and unsettling phonemes together with grammatical oscillations fragment and lay-way communications and transmissions.
(A5, 16 pages, soft cover, staple-bound)
’PHONE CALL S
Family members appear from dreams and enter in to conversations and memories. Sliding phonemes and unsettling phonemes together with grammatical oscillations fragment and lay-way communications and transmissions.
(A5, 16 pages, soft cover, staple-bound)
Gesa Helms
[Only Sound]
An experimental and playful transliteration of sound—the sonics of a domestic radiator, Helms’s work moves across across drawing, writing, and photography to produce a site specific text-work.
(A5, 16 pages, soft cover, staple-bound)
[Only Sound]
An experimental and playful transliteration of sound—the sonics of a domestic radiator, Helms’s work moves across across drawing, writing, and photography to produce a site specific text-work.
(A5, 16 pages, soft cover, staple-bound)
Jo Lee
Wonky Hinges
Daily notes, academic scribblings, to do lists frequently need deciphering and reimagining as the pen on paper is often unreadable. These fragments offer both discontinuous uncertainty and possibilities for future constructions.
(A5, 16 pages, soft cover, staple-bound)
Wonky Hinges
Daily notes, academic scribblings, to do lists frequently need deciphering and reimagining as the pen on paper is often unreadable. These fragments offer both discontinuous uncertainty and possibilities for future constructions.
(A5, 16 pages, soft cover, staple-bound)
Tom Rodgers
To Photograph Without Taking any Pictures
Images of a notebook kept to record the experiences of not taking photographs reflect Rodgers’s interest in performing the act of photographing without film in the camera to explore routines and rituals while he imagines the images he might want to capture.
(A5, 16 pages, soft cover, staple-bound)
To Photograph Without Taking any Pictures
Images of a notebook kept to record the experiences of not taking photographs reflect Rodgers’s interest in performing the act of photographing without film in the camera to explore routines and rituals while he imagines the images he might want to capture.
(A5, 16 pages, soft cover, staple-bound)